Image of Tami and I by Monika Kratochvil painting by Tami Snodgrass


…the important point here is not that you have—or don’t have—what other artists have, but rather that it doesn’t matter. whatever they have is something needed to do their work—it wouldn’t help you in your work even if you had it. their magic is theirs. you don’t lack it. you don’t need it. it has nothing to do with you. period.

Quote from Art and Fear












When the girls at Free People shared these images of their newly released hand painted skate decks I instantly fell in love. How better to get around Brooklyn than with one of these beautiful hand painted little numbers! These are so pretty and unique I had to know what they were inspired by. From vintage flower prints and Henna tattoos to Italian Vogue these girls searched far and wide and came up with some beautiful finished results! To see more visit Free People !







Girl on Bike - Canal St. Martin

Over Thanksgiving I decided to forgo the turkey and spend the holiday tucked away with loved ones in a quiet cafe hidden on Rue Vavin in Paris' Monparnasse district. Behind the glimmering lights of La Coupole and Le Select that dominate both sides of Avenue Montparnasse you'd never even know the tiny Rue Vavin was there... unless you happened to have lived there several years ago as I did. As we walked back from Montparnasse through the Luxembourg gardens, with the Eiffel Tower on our left and the Hotel De Ville on our right, the city glimmered and shined as Im sure it always has capturing the hearts of so many photographers over the decades.
Night in the 11th

When we strolled over the Seine I recalled Brassai's "Paris At Night" collection and the famous "Kiss of Hotel De Ville" by Doisneau.. even the steps of the Pantheon ring with Avedon's famous photos. I walked around for 3 days without making a single photograph. On every corner flashed images taken by the late, great, masters. I was not there to reinvent the wheel, but I was never going to live up to Brassai's "Paris at Night" series in one short week... so I walked on.. and I noticed that the area I was in, the Marais, lacked all of the young people that used to thrive there between the slightly " dare- I- say-ghetto- at-the-time" 11th and the too posh to afford 1st.. Where had they all gone? I kept walking east toward my old never finished, hardly started, graduate school "Spéos" off of Rue Charonne in the 11th and all of a sudden, there they were and all of a sudden, Paris was new again.

Locks of love on the Canal St. Martin

Street and Canal

Fashion

Young Love and Cigarettes

 Reflection in the Canal

Hangin' Out.. 
taken in homage to Joey.




Shimmer!

Looking at the blog comments, "dream" was the obvious winner but on Friday evening I got an email saying that the photo MUST be square to be printed on the shorts and "dream" does not work as a square photo so, "shimmer" it is!

Thank you everyone for your comments, emails and text messages!

The one pair of shorts will be on display and up for auction (along with 25 other artists from around the globe) at the Hurley Anti Canvas art show in Honolulu on December 3rd. I have chosen to have all of the proceeds from the sale of the shorts benefit underprivileged children during the Holidays in Hawaii through the Lokahi Tree Charity (The Angel Giving Tree, in the US). I won't be there but if you are in Hawaii check it out! More details to come on the show as the date approaches.



Our friends at Hurley and Contrast Magazine have asked me to be a part of their second annual "Anti Canvas" art show where one piece of my work is donated to Hurley to be made into ONE pair of boardshorts that will be auctioned off for charity on December 3rd. There will only be one pair made so, this is where I need everyone's help. I have selected 4 photos and from those, we need to choose one to send by November 15th. Of these four photos which one would you like to see as "the anti-canvas?" Leave your comment with the name listed below the photo and the photo with the most votes on November 14th gets made into a pair of board shorts! UPDATE: we are adding one more in... #5, Lilly.


1. feather

2. friendship

3. dream

4. shimmer

5. lilly
Thanks!
Daeja






My mother’s favorite artist is Monet. She is an art teacher, a children’s book illustrator and an amazing cook. Sounds simple, Monet's paintings are very pretty but not to my mother, to my mother they are earth shattering. In my fourth year of living in Paris the L’Orangerie Museum reopened my mom came to stay with me for a month to see all the Monet she could see. On her second day there completely unaffected by the 30 hour flight from Maui and the jet lagg she was pulling me out of bed to get to the museum across town by 9. I thought she was nuts. She knew exactly how to get there although hadn’t been back to Paris in over 20 years. She raced out of the subway, into the museum, down the steps through Monet’s letters and other artifacts to the big round room. When we first got there my mom and I were the only ones in the place. I stayed behind to look at old photographs taken of Monet in his garden. When I got down to the Water Lilly Room my mom was alone sitting on one of the viewing benches staring into a wall sized water lily canvas. As I got closer she looked at me with tears streaming down her face. She said, “he painted this when he was almost completely blind, and angry, see how angry he was that he could not see his water lilys?” That is the only time I can remember my mom crying, I am sure I have seen it before but I cannot remember any specific moment like this one. At that moment, looking at my mom more than the painting I saw how Monet’s anguish flooded out of his paintings and struck my mom with such emotion she couldn’t help but cry. To me, at that moment, I fell in love with Monet too. Not because he has beautiful work (which he does) but because his work was able to create such an emotional reaction in my mother. I began to look at each piece as she explained what he felt when he painted. That month was spent looking at art with my mom, making a pilgramage to Giverny and learning more about what makes my mom tick than ever before.

Fast forward to this past Christmas. We all get together to be with my grandparents and the day after Christmas my mom and grandmother take their annual trip to the Honolulu Academy of Art for lunch and a quick hop through the galleries. This year I was invited to join them and as soon as we walked into the western art section my mom disappeared again… I walked with “tutu” ( Hawaiian for grandma) through the galleries looking the Degas and Delacroix she pointed out as we strolled along. At the end of our little stroll was where we found my mom again sitting on a bench looking at her beloved Monet. A much smaller rendition of the water lilies were still worth every moment to her. Tear free this time she said, “come on, lets get lunch, I’m starving!” Mom and Tutu headed for the door and I grabbed the AE1 thinking about photographing Monet’s painting and eventually double exposing the film creating my own version of the water lilies. 30 frames in I got asked to stop taking pictures of the art so I joined them at the table.

A few days later I asked my dear and beautiful friend Michelle if she wouldn’t mind posing for me for an hour or so, she agreed and later that day as the sun headed west and light came flooding in through the guest bedroom we decided to strip the bed down to the blue sheets and wrap Michelle in them like she was floating in the water below the water lilies. This was my hope anyway. The texture of the paintings over Michelle’s face made her look like part of the painting, which was a better result than I could have asked for. My mom has chosen these two as her favorites so they are what I am posting. I may continue this painting and girl double exposure project and ask my mom to “curate” what I post but for now, these are for her….




In what seems like the 2 seconds I have home in Hawaii before I leave for work again I was asked to hang a show of some of my recent work. The idea honestly haunted me. After seeing all of the BEAUTIFUL work at the New York Photo Festival and remembering the not so beautiful work that I so easily critiqued, I was feeling quite nervous about showing my own work, even if it is on my "own" turf.


I decided that in the spirit of the planet that we are all trying to save with our nylon re-usable totes and recycling bins and in the spirit of the spiraling economy, that this show would be about making something old, new again. It would be about reusing something I have or someone else has once used and giving it new life. I had no IDEA what photos I was going to hang.

 Then I decided to visit to my grandmother's house to see what her ideas for the show were and how I could make something old new again. "Tutu" is a watercolor artist that has been a constant source of love and inspiration since I can remember. Her work is solely for her own pleasure and she seeks no attention or profit from it, it is what she says "keeps her young." If we could only all feel that way. After living through the depression she knows how to squeeze the life out of a penny, or how to keep it. She NEVER throws anything away, hence, there is an ENTIRE room of her home dedicated to housing frames, canvases, easels, old paints, paint boxes... you name it. She pulled me back into the room, and told me to choose the frames I wanted for my photos because she was going to "throw them out anyway," (sure she was). 

The old dusty frames sitting in the dark room were not exactly my idea of what I wanted to "make new", and how did any of these "fit" any of my work. These HUGE 24"x 30" inch wooden frames with gold accents left me feeling hopeless. Tutu insisted that I take them. So I decided to take the smallest ones I could find and spray paint them all white. I decided that was as much recycling as I could do with only 5 days left before I hung the show and still no photos printed or even chosen.

So I lined them up and began to spray away the old dingy wood with bright WHITE paint. 

As they got whiter and whiter I liked them less, originally they were almost (ALMOST... not really) a cool vintage collection of frames but none of them were really that great, even with a good cleaning. The paint made them look worse, like I was using it to hide the major flaws they had. Covering them up was a bad idea, they were not old new again as I originally intended, they were just white spray painted DIY home show bad....

So I started to sand the paint off... and as the paint I had covered them with came off, they started to look better. They revealed some of their original selves, even if some of it is really ugly, it is what they are. They also began to "tell" me what photos would "fit" in them. There was this HORRIBLE yellow frame, uugh, HORRIBLE and it was worse with spray paint on it. As I rubbed the white off and got back to the yellow it made me think of a photo that I took of a mustard flower field in France (above). I began to choose my photos according to the frames instead of frames for photos I had already chosen, quite a backwards approach to the whole thing, but its too late to stop now. 

Not all of the frames have "spoken" to me yet, and this idea of "aging" them is by no means my own ( just watch HGTV)  but this experience also got me thinking about friends and how sometimes when we see the "ugly" part of them it gives a chance to see what makes them beautiful. When the cracks show and the imperfections are exposed from under the white paint and their true self is revealed, that is when we can truly become friends, when we are given the chance to love each other for what we are and what we lack. Although sometimes the imperfections are not what we want to see, and it can hurt, it is what makes them real, and imperfect, and unique, and a friend. Like my frames, maybe when you rub a little of the white paint off you get a chance to see or hear what they really have to say and maybe that is when they become beautiful. 
 


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